19,220 Royalty-Free Audio Tracks for "Midi Music"

MIDI file of 'True Blue' Foxtrot 1920 by Albert Bokhare Saunders 1880-1946

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

MIDI file of 'Gavotte' 1909 by Australian composer Fred Werner (ca. 1850-1920)

A glissando upwards from middle C to the C an octave above.

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Das Guggisbärglied als simple MIDI-Datei. The Swiss folk song Guggisbärglied as a simple MIDI file.

Extrait au format midi Auteur Antonín Dvořák compositeur tchèque

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Militärdrums aus dem ELP-Titel "Aquatarkus"

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

MIDI file of 'Marie Gavotte by Australian composer Herbert Hedwan CHandler (1865-1941)

Octave on C. 64/1: 7200 cents.

Georg Friedrich Händel: Lascia ch’io pianga

Octave on C. 16/1: 4800 cents.

Johannes Brahms: Guten Abend, gut Nacht

Standard bell pattern.

Shuffle triplet-like performance.

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

Basic half time shuffle.

clave pattern in 5/2

clave pattern in 7/4

Satz aus "Bilder einer Ausstellung"

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

Rumba Clave Pattern in triple time.

6/8 clave, third form (rumba clave)

6/8 clave, second form (son clave)

6/8 clave, first form (standard pattern)

Anfang des zweiten Satzes aus Beethovens Opus 109

3-2 Son Clave Pattern in duple time.

Großes Präludium in e-Moll von Nicolaus Bruhns. Source: http://www.free-scores.com/download-sheet-music.php?pdf=158, according to that page public domain. The instrument has been changed to church organ and the tempering to Werckmeister III.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Texas two-step drum pattern associated with the dance step.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Cadenza from Beethoven's Concerto in C minor, piano part.

Basic shuffle rhythm. Created by Hyacinth (talk) 22:04, 28 July 2008 in Sibelius.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Example of the submediant ("triad on VI") used as a dominant preparation.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Du holde Kunst

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.